top of page

Editorial Note to Issue 3:

Issue 3 is my favourite issue so far.  We are finally reaching a balance of things to wonder at and things to pursue.  This should not only help us to continue, but to provide both community and a means of sustainability.  Float it. Ne Ano Ne No No.  Things elsewhere are elsewhere, we are here right now.

ORDER PHYSICAL COPIES WHILE THEY LAST BY WRITING ME ON THE CONTACT PAGE OF THIS WEBSITE:

https://www.jorgeboehringer.com/booking-contact

Let me know your address and I will get back to your with the price and my paypal email.  Zines are £4 + Postage.  THANKS!

Editorial Note to Issue 2:

Issue 2 was a strange little beast.  Margherita Kirilkina opened us to her amazing world with more strange photos, echoing issue 1.  Following this, Patt Reilly reminded the Gatekeepers to fuck off. Snarly poetry met a lengthy allegory that renders the economic relations within the economy of contemporary performance art in alien-fairy-tale form.   Amid illustrative illustrations by George Chen and Theo Gowans, Lucy Cheesman rendered our complexities of complexes in this post-digital age.  All this is followed by a discussion of the cosmic roots of evolution in the image-essay, The Pond, and a cryptic musical score by Stephen Chase.

Editorial Note to Issue 1, 02022020:

You are reading the fine print.  Meanwhile, we have issues and they are multiple.  They should emerge over the next few months like whispers, like screams, and like less elusive media: picture postcards from a permanent holiday.  Living lullabies, recipes, academic treatises...This magazine or set of publications in whatever media is an exhibition that unfolds in the time you take with it,

the different pages like different rooms or parts of rooms, they can also be different rooms on different days.

 

This first issue, if it has a theme might be to moult.  Rhyming with tumult, and meaning to shed the skin in transformation. 
Everyone is doing it these days, lets do it too.

And what is it that we say while moulting?

 

neanonenono

 

whats that?

no yes no yeah yeah

 

Many thanks to the artists in these pages and those to follow who have let me exhibit their work to you.  This project has taken forever and they have been extremely patient.  I also owe a HUGE dept of gratitude to the Making Space in Huddersfield, a cooperatively run workspace that I got to be part of while I was there and who helped me fund this project and what coming.  In time we are making space.
 

Jorge Boehringer 

ViolaSynth23SecondTryInvert.jpg
bottom of page