Jorge Boehringer is an composer, artist, musician, and researcher exploring large scale landscapes and microscopic layers of process and form, and how they interact with perceptual experience. Utilizing a protean platform for experimentation and presentation, Boehringer creates performances, recordings, music, installations, texts, three-dimensional objects, and visual phenomena. Inspired by, and at times modeled after observed environmental processes and structures Boehringer’s work offers an experience of reality presented as a textural field. “Multiple systems of events, appearing and disappearing, and evolving at their own rates…” is a phase Boehringer uses to describe both the material world and our experiences of it. Structures and processes which, when apprehended from diverse frames of reference or differing orders of magnitude, offer the experience of multiple states of complexity, constituting the presence a world before us. Boehringer focuses his research on the unfolding of perceptual experience through composed opportunities for encounter within sound and visual environments on variable scales.  The scale of these works range from the vast and immersive to small and/or singular concentrated environments, in both cases each resides with visitors at the cusp of becoming and imagination, offering an opportunity to explore shifts in one’s awareness of one’s awareness.  Continuous sound of long duration, changing densities across time and space, repetition and layering, and on the other hand, chaotic aperiodicity are used by Boehringer to provoke a phenomenological ripple in the moment of experience of his works. Simplicity and complexity wink and one another, and trade places. Boehringer is also known on occasion to make drawings of alien-cyborg bunny rabbits, sculptures out of tape and light bulbs, and write songs either about animals, or with mystical and sometimes rhyming texts. Boehringer often performs solo works as Core of the Coalman, a continuous solo project at once an open sketchbook, and a collection of compositions in a state of perpetual evolution. Core of the Coalman can be characterized as continuity and discontinuity for viola, voice, and circuits on the border between stability and chaos.  By turns focused and explosive in texture, Core of the Coalman emphasizes the physicality of sound in its synesthetic relationships between ear, mind, and environment, with the aim of hearing oneself listening.