2023    

 

Twice Stepped in Still Waters: Sonification and Interdisciplinarity as Artistic Research

presented at the 28th International Conference on Auditory Display (ICAD 2023), https://doi.org/10.21785/icad2023.4701 sole author.

 

Dog Barks at Own Echo: Tracing Mimicry In My Recent Sonic Practice

ECHO, a journal of music, thought and technology 4. doi.org/10.47041/FCWG4078. sole author.

 

2022    

 

Listener-Centred Sonification Practice As Transdisciplinary Experimental Artistic Engagement

 In: New Paradigms for Music Research: Art, Society and Technology. ARTSLAB Contemporary Art Education. Publicacions Universitat de València, Valencia, Spain, pp. 165-194. ISBN 9788491335320 Published by: Publicacions Universitat de València. https://doi.org/10.7203/PUV-OA-532-0, Jorge Boehringer with Marcin Pietruszewski, John Bowers, Bennett Hogg, Joseph Newbold, Gerriet Sharma, Tim Shaw, and Paul Vickers, Paul.

​

2021

​

The Many Ways of Listening: a Provisional Analysis of Talk in Critical Listening Sessions to Inform the Research Agenda of Sonification,

presented at 26th International Conference on Auditory Display (ICAD 2021). Poster.

 

Irminger Channels: Experimental Sonification Design

Utilizing Spatialized Measurement Data presented at 26th International Conference on Auditory Display (ICAD 2021).

https://icad2021.icad.org/wp-content/uploads/2021/06/ICAD_2021_37.pdf

​

She Surfs

Ocean Memory: Ecoacoustics, Audification and Sonification, March 2021, CCRMA, Stanford Univerisity.

https://www.youtube.com/watch?v=ZR4jN2ZeF2E

 

Sonification of Solar Corona Data

presented at 26th International Conference on Auditory Display (ICAD 2021).Poster.

​

A Radical New Interdisciplinary Space for Sonification
 

 

2020

​

How Innocent Is The Grid?

Published in the MASS

​

The Enormous Festival and Its Discontents

paper presented at  Capitalist Realism 10 Years On, University of Huddersfield

​

​

2019

​

The Meta-Realistic Practice of Art in/and/as Everyday Life

slides from Theory Time portion of a workshop/seminar at Culture  Lab, University of Newcastle

​

Banal Magic: Strategies for Improvising the Everyday

from Deep Listening , Improvisation, and Spatialized Sound, CAMP,Aulus-les-Bains, France

​

The Grid is Innocent

Lecture Prepared for Creative Coding Lab,

University of Huddersfield, UK

​

Situated Sound and Compositional Circumstance in My Recent Musical Practices

PhD Portfolio Commentary, University of Huddersfield, UK

​

​

2018

​

The Cup and Ring Marks on Rombalds Moor as Conceptual Point of Intersection

Sounds of Prehistory and Antiquity Conference; Research Center for Music Iconography, City University of New York, The Graduate Center, New York, USA

​

​

2017

 

Nehybnost 9 (Stasis9 : Placeless)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

March

​

Nehybnost 8 (Stasis8 : Panta Rhei)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

February

​

​

2016

​

Nehybnost 7 (Stasis7 : Formal Hallucinations)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

December

​

Nehybnost 6 (Stasis6 : Water and The Bloc)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

November

​

Nehybnost 5 (Stasis5 : Presque Rien)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

October

​

Nehybnost 4 (Stasis4 : Le Witt, Radigue, and You)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

September

​

Nehybnost 3 (Stasis3 : Nonintention)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

July

​

Nehybnost 2 (Stasis2 : Stillness)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

June

​

Nehybnost 1 (Stasis1: Static)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

May

​

Practice Leading Research Leading Practice

Visiting Artists and Lecture Series; Prague College School of Art and Design, Prague, CZ

March, 2016

​

Promítané životy

Projected Lives

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

February

​

Slova a hudba: Imaginární dialog

(Words and Music: An Imaginary Dialogue)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

January

​

​

2015

​

Tim, s lidmi

Tim, With People

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

December

​

Probuzeni k tomu, co se děje

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

November

​

I vy můžete být géniem

(You Too Can Be A Genius)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

Prague, Czech Republic

October

​

Caspar Fúze a Johannes Přerušení Walter

(Caspar Fusion and Johannes Interruption Walter)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

September

​

Rytmus a sabotáž: Různé znějící děje a Sam McLoughlin

(Rhythm and Sabotage: Sounding Processes and Sam McLoughlin)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

August

​

Druhá hodina: Nová dávka útoku létajících talířů (Second Hour: a New Dose)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

July

​

Kdo sedí na trůnu?

(Who Sits On The Throne?)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

June

​

Ssssssssssssssooooouuuuunnnnnund Art: Co jsi zač? (Sound Art, What Are You?)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

May

​

Vysokorychlostní elektronická hudba a osvobození od paměti

(High Speed Electronic Music and Freedom From Memory)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

April

​

Zpět do lůna se Silver Dick

(Back to the Womb With Silver Dick)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

March

​

Nízké umění / vysoké umění: Neustále proměnlivá satira. Kapitola 1: Prostory pro pokroky (LoArt/HiArt: an Oscillating Satire)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

February

​

Každý zvuk musí žít a mít nějaký pohyb: Boris Bezemer v obálce

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

January

​

​

2015

​

Duchové Eleanor Cullyové: De-materializace skulptury / re-materializace hudby

(The Ghosts of Eleanor Cully)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

December

​

Osvobození skrz nezájem: No-audience underground (Liberation Through a Lack of Interest: The No-Audience Underground)

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

November

​

„To je můj hlavní cíl, šířit mizérii“ - Druhý pohled na kurátorskou praxi a organizaci hudebních festivalů

Hudební informační středisko VOICE

(Journal of Czech Musical Information Society)

October

​

​

2014

​

NAKRESLI PŘÍMKU A NÁSLEDUJ JI

(Draw a Line and Follow It)

Advojka (A2) Kulturni čtrnáctideník

2014 #6

​

​

2013

​

SNAŽÍM SE ELEKTRONIKU OŽIVIT

(Love Boat)

Advojka (A2) Kulturni čtrnáctideník

2013 #4

​

 

2012

​

Sound Map of Changing Intentions Between Static Bodies I: Irregular Orbits About Land's End, Brother

Pretty Panicks Press, New York City

​

Yam Yad, new poetry by Jorge Boehringer, published by Genital Press

​

​

2001

The Audience is the Antenna , dissertation for Masters Degree in Composition, Mills College, Oakland, CA, USA 2001

​

​