Portfolio of Works by Jorge Boehringer/Core of the Coalman

Selected Publications & Talks

2026

Norths: Navigating Instability By Ear

ArteActa – Journal for Performing Arts and Artistic Research

2025

Situating Norths: Critical Thinking from Critical Listening in Data-Derived Sound Arts Practice presented at 30th International Conference on Auditory Display (ICAD 2025), sole author. https://doi.org/10.21785/icad2025.000

Frames for Nothing: Devices for Revelation in the Phase Space of the Marvelous presented at 30th International Conference on Auditory Display (ICAD 2025), sole author. 10.5281/zenodo.18760720 also in: Companion proceedings of the 30th International Conference on Auditory Display (ICAD 2025), co-located with 20th Audio Mostly. University of Coimbra, Portugal. https://doi.org/10.21785/icad2025.001

2024

Figure and Ground: Using Wave Field Synthesis to Render Sonified Real-time Seismic Data as a Spatio-Temporal Concert Experience presented at the 29th International Conference on Auditory Display (ICAD 2024), sole author. Note: this work was awarded Best Use of Sound at ICAD 2024. https://doi.org/10.21785/icad2024.000

Trve Norths: Listening to Real-Time Geomagnetic Data Using Space and Psychoacoustics presented at the 29th International Conference on Auditory Display (ICAD 2024), sole author. https://doi.org/10.21785/icad2024.000

Listening into the Lattice

HUB: Journal of Research in Art, Design, and Society.

https://www.researchcatalogue.net/view/2322814/2322815

2023

Twice Stepped in Still Waters: Sonification and Interdisciplinarity as Artistic Research

presented at the 28th International Conference on Auditory Display (ICAD 2023), https://doi.org/10.21785/icad2023.4701 sole author.

Dog Barks at Own Echo: Tracing Mimicry In My Recent Sonic Practice

ECHO, a journal of music, thought and technology 4. doi.org/10.47041/FCWG4078. sole author.

2022

Listener-Centred Sonification Practice As Transdisciplinary Experimental Artistic Engagement

In: New Paradigms for Music Research: Art, Society and Technology. ARTSLAB Contemporary Art Education. Publicacions Universitat de València, Valencia, Spain, pp. 165-194. ISBN 9788491335320 Published by: Publicacions Universitat de València. https://doi.org/10.7203/PUV-OA-532-0, Jorge Boehringer with Marcin Pietruszewski, John Bowers, Bennett Hogg, Joseph Newbold, Gerriet Sharma, Tim Shaw, and Paul Vickers, Paul.

2021

The Many Ways of Listening: a Provisional Analysis of Talk in Critical Listening Sessions to Inform the Research Agenda of Sonification,

presented at 26th International Conference on Auditory Display (ICAD 2021). Poster.

Irminger Channels: Experimental Sonification Design

Utilizing Spatialized Measurement Data presented at 26th International Conference on Auditory Display (ICAD 2021).

https://icad2021.icad.org/wp -content/uploads/2021/06/ICAD_2021_37.pdf

She Surfs

Ocean Memory: Ecoacoustics, Audification and Sonification, March 2021, CCRMA, Stanford Univerisity.

https://www.youtube.com/watch?v=ZR4jN2ZeF2E

Sonification of Solar Corona Data

presented at 26th International Conference on Auditory Display (ICAD 2021).Poster.

A Radical New Interdisciplinary Space for Sonification

2020

How Innocent Is The Grid?

Published in the MASS

The Enormous Festival and Its Discontents

paper presented at Capitalist Realism 10 Years On, University of Huddersfield

2019

The Meta-Realistic Practice of Art in/and/as Everyday Life

slides from Theory Time portion of a workshop/seminar at Culture Lab, University of Newcastle

Banal Magic: Strategies for Improvising the Everyday

from Deep Listening , Improvisation, and Spatialized Sound, CAMP,Aulus-les-Bains, France

The Grid is Innocent

Lecture Prepared for Creative Coding Lab,

University of Huddersfield, UK

Situated Sound and Compositional Circumstance in My Recent Musical Practices

PhD Portfolio Commentary, University of Huddersfield, UK

2018

The Cup and Ring Marks on Rombalds Moor as Conceptual Point of Intersection

Sounds of Prehistory and Antiquity Conference; Research Center for Music Iconography, City University of New York, The Graduate Center, New York, USA

2017

Selected Publications & Talks

(Journal of Czech Musical Information Society)

Prague, Czech Republic

March

(Journal of Czech Musical Information Society)

Prague, Czech Republic

February

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2016

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

December

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

November

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

October

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

September

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

July

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

June

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

May

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

February

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

January

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2015

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

December

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

November

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(Journal of Czech Musical Information Society)

Prague, Czech Republic

October

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(Journal of Czech Musical Information Society)

September

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(Journal of Czech Musical Information Society)

August

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(Journal of Czech Musical Information Society)

July

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(Journal of Czech Musical Information Society)

June

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(Journal of Czech Musical Information Society)

May

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(Journal of Czech Musical Information Society)

April